Norde
Nature is the source of inspiration for stone-effect porcelain tiles
Collection overview
See below the summary of the colors and salient features that distinguish Norde, or learn more about the ideas and inspiration behind the project.
Porcelain tile surfaces that reinterpret the appeal of stone
The Norde collection features rich graphics and colors combined with the realism of the original stones.
Beautiful stone-effect porcelain floor and wall tiles in reddish and orange shades create a finish used for interior designs and contract work with a contemporary style.
Accuracy and fidelity in the interpretation of the details of the original material is a particular strength of the collection, resulting in a product that is unique in its varied shades, three-dimensional texture, leaps of color, and the graphic richness of every detail.
Beautiful stone-effect porcelain floor and wall tiles in reddish and orange shades create a finish used for interior designs and contract work with a contemporary style.
Accuracy and fidelity in the interpretation of the details of the original material is a particular strength of the collection, resulting in a product that is unique in its varied shades, three-dimensional texture, leaps of color, and the graphic richness of every detail.
Porcelain Tiles
Outdoor
Porcelain Tiles | Magnesio | Oro | Platino | Piombo | Magnesio Roccia | Oro Roccia | Platino Roccia | Piombo Roccia | ||
|---|---|---|---|---|---|---|---|---|---|---|
| 31½"x31½" | 20 mm | Textured rectified | ||||||||
| 23⅝"x47¼" | 20 mm | Textured rectified | ||||||||
| 23⅝"x47¼" | 9 mm | Grip rectified, Matte rectified | ||||||||
| 23⅝"x35⅜" | 20 mm | Textured rectified | ||||||||
| 23⅝"x23⅝" | 20 mm | Textured rectified | ||||||||
| 23⅝"x23⅝" | 9 mm | Matte rectified | ||||||||
| 11¾"x23⅝" | 9 mm | Textured rectified | ||||||||
| 11¾"x23⅝" | 9 mm | Matte rectified | ||||||||
Outdoor | Magnesio | Oro | Platino | Piombo | Magnesio Roccia | Oro Roccia | Platino Roccia | Piombo Roccia | ||
|---|---|---|---|---|---|---|---|---|---|---|
| 31½"x31½" | 20 mm | Textured rectified | ||||||||
| 23⅝"x47¼" | 20 mm | Textured rectified | ||||||||
| 23⅝"x47¼" | 9 mm | Grip rectified | ||||||||
| 23⅝"x35⅜" | 20 mm | Textured rectified | ||||||||
| 23⅝"x23⅝" | 20 mm | Textured rectified | ||||||||
| 11¾"x23⅝" | 9 mm | Textured rectified | ||||||||
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Scarica Be Inspired
Atlas Concorde at Milan Design Week
For Atlas Concorde, the event in Milan is part of a month dedicated to design, where the new 2021 projects will be officially launched.
Dialogo washbasin collection: interview with the designer.
Being a designer and working with leading companies like Atlas Concorde requires an ability to listen and understand to best support the companies' view of design and the market. We met with Mario Ferrarini to learn about his creative process and to discover what happened behind the scenes of the Dialogo project.
Piero Lissoni: “I designed surfaces that vibrate in the light.”
For Design Week, Atlas Concorde is proposing a collection of three-dimensional wall tiles. With the two patterns designed by Piero Lissoni, 3D Sign and 3D Squares, the designer introduces us to the concept of "controlled error": something that happens and that allows the surface to interfere with the light.
Atlas Concorde at Milan Design Week
For Atlas Concorde, the event in Milan is part of a month dedicated to design, where the new 2021 projects will be officially launched.
Dialogo washbasin collection: interview with the designer.
Being a designer and working with leading companies like Atlas Concorde requires an ability to listen and understand to best support the companies' view of design and the market. We met with Mario Ferrarini to learn about his creative process and to discover what happened behind the scenes of the Dialogo project.
Piero Lissoni: “I designed surfaces that vibrate in the light.”
For Design Week, Atlas Concorde is proposing a collection of three-dimensional wall tiles. With the two patterns designed by Piero Lissoni, 3D Sign and 3D Squares, the designer introduces us to the concept of "controlled error": something that happens and that allows the surface to interfere with the light.
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